BusterStronghart@Gmail.com


predestinarianism

 

In the spring garden
the silky yellow crocus
is suddenly there

Basil Pessin,

Is truth beauty? asks 14 year old grandson

BusterStronghart@Gmail.com

Stronghart

Is truth beauty? asks 14 year old grandson

No doubt your grandson is reading Keats, and a good thing it is.

Truth
Beauty
Justice

Can we live for these three things. Have we? Certainly the four of you have made an effort in those honorable directions. You have nothing of which to be ashamed. Whereas some of us have much for which to make up. Repairs. Note, when you re-read the poem that it is not Keats who makes the point; rather it is written on the urn. We do not know whether Keats believed that truth is beauty and beauty is truth.

Ode on a Grecian Urn

THOU still unravish'd bride of quietness,
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape 5
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy? 10

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave 15
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair! 20

Ah, happy, happy boughs! That cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearièd,
For ever piping songs for ever new;
More happy love! more happy, happy love! 25
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue. 30

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore, 35
Or mountain-built with peaceful citadel,
Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul, to tell
Why thou art desolate, can e'er return. 40

O Attic shape! fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form! dost tease us out of thought
As doth eternity: Cold Pastoral!
45
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know.'
______________________________________________________
It seems to me on re-reading the poem for the first time in fifty or so years that the beauty of the urn is absolutely not truthful, as Keats tells us, more than once, that the articles of beauty depicted on the urn are not transitory, in fact that each article of beauty transits generations--and remains frozen in time. Unlike the reality of Therefore Beauty is not truth.

Whereas, we know that all things evanesce, change, are destroyed, as Shelly reminds us in Ozymandius:
___________________________________________
Ozymandius
I met a traveler from an antique land,
Who said--"Two vast and trunkless legs of stone
Stand in the desert . . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandius, King of Kings,
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."

_________________________________________________________

Ralph warns us that it is our duty, in fact it is our only duty not to lie; that is to be truthful: but then what are we doing when we take ugliness and make art of it as in Strange Fruit, or Guernica? Are we truthful when we deny our essential loneliness; when we deny the predictability of chaos? But our loneliness is beautiful and so is chaos.

BusterStronghart@Gmail.com

Whether man or woman, at the end of a love affair it is when you have the most to say that you cannot speak. 

.mek

BusterStronghart@Gmail.com

Most of a lifetime spent on this street.

Ozymandias


I met a traveller from an antique land
Who said: `Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,

And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.


And on the pedestal these words appear --


"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.'

Percy Bysshe Shelley

BusterStronghart@Gmail.com

BusterStronghart@Gmail.com

The past holds: Grudges, unresolved grievances, unforgiven offenses, guilt. (notice the alliteration please).

Plus, the Past effects the future: Bearing the burden of Guilt; Fear of the consequences of what we did and failed to do; Punishment, Regret and - Addiction: to ideation, beliefs, responses. Do we need any other reasons to find and remain forever after with the elusive NOW.

mg

BusterStronghart@Gmail.com


G asks a Question: Have we been held together by the knowledge that, essentially, we share the same concerns? We know each other to the extent we know ourselves??? If so, does this offer the possibility that: Everybody else shares those same concerns? Is EVERYBODY, essentially, the same?

Something happened to a draft I wrote a few hours ago. So, maybe you received it, or maybe we will benefit by the simmering of my unconscious thought process since I wrote that draft. If you’ve already read something like this,  then we know that there is some Truth in what I have to say--Truth, at least, for myself, if not for each of us. 

We've always been concerned with Truth, perhaps that concern began when first we discovered that some things were not True, and even more important, that it is possible to deceive others. I know that I have always been an admirer of G's attention to the True, and his many journeys to find it, some far away and some quite close. S. has a similar need, grown out of the political lies that he had discerned early in his life. Those lies became, for him, painful, and political Truth became a panacea. Understanding his strength and honest directness makes it easy to be with him.

But, of course, I am off course. The question on the table is:  what has held us together, and a part b, does that mean that everybody is the same as us...

Surely you jest, G, when you ask if everyone is the same as us. No, Virginia, we are part of a unique subset of the Human Race. So much for part b.

What are we? Products of Secular Jewish Upper-Middle-Class households, with aspirations to assimilate -- those aspirations stronger with some of our parents than others. Each household was of a liberal bent, and maintained the usual Jewish respect for knowledge, books, and education.  We were sent to a fine school that reinforced those values. There we met and eyed each other from afar, at first.

 Held us together?  Time, itself, binds tightly--but that's only one of the knots. There are others. There is the Truth of our Mutual Nakedness--we've each known each other in the Before, and so roles and masks, blessedly, don't work with us.  We know each other. Truth again.  And don’t you think that the Truth of Us is the tightest of all the knots?  

Generally we share a certain degree of intelligence--within a range--S. being a outlier, perhaps, but the rest of us are of roughly equal intelligence -- I could rank us--but I don't like to put a certain person on the bottom. So we are in a common range...I have always held that nearly equivalent intelligence drew married people together, as much as pheromones, or common interests like tennis or bridge. Likewise with friends.

Before now only S. reinvented himself and led a life different from that of all that preceded him. But when we came together at fifty, the essential was still there, we recognized him for what he was, just a boy like us.  And he knew us.

Of course, there is the element “G..”  G. is been the a magnet and has always kept us together. I fret that his relocation to the West will damage what we have. Perhaps allow it to slip apart.  We knew each others’ parents -- an important element; we know our histories, more than our second and third wives, I think. We knew each others' wives in series. More ties that bind.

Not one of us had natural brothers. Mine was much older and had been in South Pacific during the war. A, S, D, H, and M had none. G had two brothers but they were estranged . So more than comradeship there was a brotherhood of necessity, that later involved into this brother-ship, albeit a dwindling as time has stolen A, S, D, & H.  

Our familiarity with each other is without parallel. Notice that familiarity has the same root as family. We’ve always treated each other as equals. We’ve accepted each of us for what we are, have never asked for change, and have been loyal that no-holds-barred, stripped-of-all-pretension, naked man that we’ve known for over fifty years.

I am waiting to read the other replies – and G,  you aren’t excused from the exercise. Asking  the Q doesn’t exempt you from an A.

BusterStronghart@Gmail.com

Last night I was happy to share a trencher of mutton-chops and a flagon of ale with a friend of many years who once worked at the buttery.  We celebrated our past marriages, and future funerals, and finally uncorked a superb Tokay, drawn from my cellar having been stocked in those old days when money flowed like water and everyone thought that they would be afloat forever.

A lie flies around the world before the Truth has a chance to put  its pants on.  Winston Churchill

Would you rather find solutions or play the blame game? mek

BusterStronghart@Gmail.com

In Staring at the Sun,  Yalom reminds us of Schopenhauer's dictum that it is only what a man is that counts, neither wealth, nor status, nor good reputation makes us happy.

 

Is Yalom saying that happiness is, in itself, the ultimate goal, the object of life?  The idea seems like what you aim for--a shedding of all learned value in order to strip down to a reality, an essential you. Something that you have been seeking for some time, long before you left for California.

 

We know that material possessions, though attracting, never satisfy. We know early on that things anchor us and never free us.

 

What others think of us is transient, I think. Though it was important to my father that he go to his grave with his name intact;  I myself can see that,  like possessions, reputation is mutable and  tarnishes and leaves us with a murky reflection, sometimes so indistinct that we, ourselves, can not see or know it.

 

Yalom says that we need a clear conscience, in order to know ourselves, And that in the end it is our interpretation of experience that brings happiness--not the experiences themselves.

BusterStronghart@Gmail.com

Cohn had a wonderful quality of bringing out the worst in anybody."


- Chapter 10, The Sun Also Rises, Ernest Hemingway

BusterStronghart@Gmail.com

man·sue·tude

/ˈmænswɪˌtud, -ˌtyud/ Show Spelled[man-swi-tood, -tyood] 

–noun

mildness; gentleness: the mansuetude of Christian love. 
mansuetude \MAN-swi-tood\, noun:
Mildness; gentleness.

For indeed, it is possible to attain a state of divine mansuetude that nothing dismays and nothing surprises, just as one in love might, after many years, arrive at a sublime tranquillity of the sentiments, sure of their force and durability, through constant experience of their pleasures and pains.
-- Honoré de Balzac, Jordan Stump, Adam Gopnik, The Wrong Side of Paris

You are safe, dear old man, you are safe, temporarily, in the mansuetude of our care, Julie said.
-- Donald Barthelme, Donald Antrim, The dead father

Mansuetude derives from the Latin mansuescere, literally "to tame by the hand."

---

Origin:
1350–1400;  ME < L mānsuētūdō  tameness, mildness, equiv. to mānsuē-,  base of mānsuēscere  to become tame, mild ( man ( us ) hand + suēscere  to become accustomed) + -tūdō -tude

BusterStronghart@Gmail.com

For true wisdom to emerge, there can be no distractions. Any preoccupations of the world, no matter how small or inconsequential they may seem, will be heard as shouts that drown out the still voice within. It is not enough to rid yourself of inner turmoil, though that is a step in the right direction. The next step is to eliminate outer turmoil, through isolation and withdrawal from the world. This is the path of the man who slips into darkness in order to have the light revealed to him when he is ready.  

BusterStronghart@Gmail.com

BusterStronghart@Gmail.com

BusterStronghart@Gmail.com

I spent my youth with men who thought that Omar Khayyám might have been a curry. One of them was a very charming man, named Phillip Legacy; when he wore a suit I understood why God created suits for men. There was a case of missing funds from a church hospital fund. And Phillip was wearing a new suit.  I have mistrusted charming men ever since.


He married a woman who had become pregnant with his child. He told her that abortions were easy to obtain--long before they were legal--but she refused. It was their child she cried, and abortion would be out of the question. Well, he said, you'll have to learn to like me.  She stood at the altar, and realized that she was participating in a sham. 

Helpless, she gave herself up to him, 

She tried but quickly became bored with him. She was an explorer, and had to meet the people, all of them, whether bejeweled or barefoot she needed to be engaged. 

Golf and cocktail parties were enough for him.   

BusterStronghart@Gmail.com

BusterStronghart@Gmail.com

Images of the North

 Images of the North; sacred wind, spirit untamed,
 huge trees, grasping arms, holding you in tight embrace.
 You can't let go.
 You can't escape the power of their aloneness.
 They have lost their beauty long ago,
 You can't hide the overwhelming pressure in your head.
 Only a harsh naked wisdom left.
 The Ache.
 You could paddle thru eternity and that would never change.
  Only
  a silent surging poem from one tongue to another.

B. Pessin.

BusterStronghart@Gmail.com



Magic Flute 

Tamino;

"Oh, eternal night, when shalt thou pass?
When shall the light find my eyes."

Chorus:

"Soon, soon, youth..."
____________________________________________________________--
Is this how it is?
Is this how it must be?
   mek

BusterStronghart@Gmail.com

People accept change only when they are faced with necessity, and  recognize necessity only when a crisis is upon them.

- Jean Monnet

BusterStronghart@Gmail.com

After many winters the moss finds the sawdust crushed bark chips and says "old friend,old friend. "

W.S.Merwin

BusterStronghart@Gmail.com

 

It’s easy to confuse the act of living

With the passing of time.  We

Look back and marvel that something

That occurred forty years ago

Seems so fresh in our minds,

“Like yesterday.”

Time and Life may have been

Magazines,

But Time and Life aren’t the same.

Eternity is constricted by a single life time.

Time is confined to a single life. 

mek


Three years ago I wrote a line and St Eve answered:  

There comes a time when time passing becomes time remaining."

I had no idea what I said. Here's St Eve's first reply.


This is a complicated statement and requires some thought to unravel. The passage of time is a perception that depends upon cause and effect occurrence in the physical world and the apprehension of those causes followed by their associated effects. The batter hits the pitched ball. Then there is the memory of those relations and their order of occurrence. Sight of the ball and sound of the bat hitting the ball this becomes the sensed passage of time. So when the time remaining to our lives becomes the sensed moment of times' passage; it is the last moment-end time. Now some might accuse me of being philosophically narrow and bending the meaning to my own ends but if you think about what time perception is really all about then my conclusion seems unavoidable. If this is not clear I will gladly restate it.
Ss


Gross asked for a restatement. So here's St Eve's second reply or re-statement.


Inherent within the above statement, there is a structure to time. There is past, present and future time.

Time coming is its emergence out of the future to become the present moment. No matter how brief that moment is, it lapses and becomes the next moment. As it passes it becomes past time. Historical time and future time are infinites with present time sandwiched in between. Time passing from future to present to past is the accepted linear configuration in western society.

In the second part of the statement, “time remaining” has to be assumed to be a personal subset of future moments that constitutes the finite period of the person’s life that they have left to live.

So when that packet of future time, the remainder of one’s life’s moments becomes passing time, and entering the past then one's life is over the next instant. When the time remaining to one's life passes it is all over.

To restate the notions related to the perception of time embedded in the above statement is less . This perception is complex and comes from our senses which record in memory happenings sequentially with antecedent and subsequent events. They may be cause and effect but as Katz has pointed out may just be sequential.

The order of occurrence and their recording on RNA and reading that order may be how we know that events are past time and we are able to place them in their temporal order by their physical placement in the RNA molecule.

There are many exceptions to time perception which are intriguing.
Time passing fast, passing slowly: time standing still, athletes in “the zone “with altered time perception and increased performance abilities.

When my understanding improves with research I will pass it on.
ss

BusterStronghart@Gmail.com

Subject: Bob Hood -- PeteSeeger-- Camp Woodlands -- Phoenicia

Something reminded me of Bob Hood and Camp Woodland, in Phoenicia, where he was a counselor and was pointed in the right direction, I mean the left direction, early in the fifties.  (Many 1199 people sent their children to Woodlands, and Bob met Jo Davis, Leon's daughter there.)

Obviously, some one, or Bob himself, was already pointed left, otherwise he would not have found his way to Phoenicia, and one of the questions that I never asked him was how he wandered over to the left. He did tell me that his parents were non-political; and that there was a rupture in their relationship, in retrospect I  imagine that it might have been because of his homosexuality.   Perhaps it was his sexuality that made him open to 'different' thought; or maybe it was a teacher who had not been been prized out of the school system by the McCarthyites in Louisville. Who knows? 

 Anyway, having met Pete Seeger at Woodland, he brought  Seeger to Ohio Wesleyan, and I think that Seeger performed at an official OWU venue; but some of my friends remember that he (Seeger) was barred from the campus, and that instead he performed at an inter-racial Fraternity (Beta Sigma Tau) that Bob presided over. Maybe both. I don't recall  Seeger being barred. (And Bob had a lot of clout with the OWU administration, so it's hard to believe that he was barred.)

Bob was mentored by, and, in a sense,  sponsored by the President of Ohio Wesleyan, Republican Arthur Flemming, who had been or became  a Cabinet Officer under Eisenhower. ( I went out with Flemming's daughter, Susan, a few times but she quickly figured me out and I was dropped.) After he was graduated, Bob received a Rhodes Scholarship, and studied at Oxford where he received his D.Phil. He lived with Karl Barth in Switzerland for about a year, and, Bob was, as you probably know, a liberation theologian.

Later he taught in Germany for several years, and once brought a gaggle of German school boys to Brooklyn, so that they could see that even in America there were poor people. There were about 30 blond, blue-eyed school-children dressed  in shorts, knee socks, and  short-sleeved white shirts,  each wearing a  neckerchief of Black-Red-and Gold, the colors of the West-German Flag, and Bob, the baritoned, extremely black giant, wore lederhosen.  He brought them to Katz Drug Store in Puerto Rican  Williamsburg and we walked over to the Bushwick Projects, where the children would not believe that this was where the poor people lived because the buildings'  parking lots were filled with a couple hundred cars.

Then Bob decided that we should go to the Hassidic part of Williamsburg, near the Williamsburg Bridge.  Bob was very intelligent, but had no sense of his effect of those around him. I looked at the 30 school boys, chattering in German, wearing their shorts, knee socks, white shirts and  German Flag Neckerchiefs, and Bob in his lederhosen, and decided that it would be better to forego that visit, and instead to treat the boys to paraguas, on Graham Avenue. ----- Cherry was the most popular flavor.

A comment from a friend:



 

Buster:  

you have it partially correct. Actually, if you remember, I was the Social Chairman of OWU, at the time, and it was me who booked Pete Seeger.  The controversey started when the Columbus Dispatch wrote an Op/Ed villifying Arthur Flemming for allowing a "Commie" on campus, and the pressure that the administration received resulted in them cancelling the Seeger appearance. In those days there were no cell phones and as he was scheduled, and paid for, Pete made his way to the campus and I had to inform his agent that he would not be allowed on stage. 

He arrived in Delaware after, Lord knows, how many hours/days on the road and was dead tired and asked where he could rest. We suggested he take a nap at the Beta Sig house, I believe it was Skip Landt's bed, and he did that and then volunteered to just hang out when he woke up. We fed him and we called everyone we could to let them know that we had our own private Pete Seeger concert at the frat house. 

As both Skip and I remember, he entertained us for about 4 hours with songs, stories and of course some lefty philosophies, but at Beta Sig he was "preaching to the choir".

It was a nost memorable evening and one I share with people who are familiar with Pete Seeger.

Lew

Where have all the flowers gone?
Long time passing.
Where have all the flowers gone?
Long time ago.
Where have all the flowers gone?
The girls have picked them ev'ry one.
Oh, when will you ever learn?
Oh, when will you ever learn? Where have all the young girls gone?
Long time passing.
Where have all the young girls gone?
Long time ago.
Where have all the young girls gone?
They've taken husbands, every one.
Oh, when will you ever learn?
Oh, when will you ever learn?
Where have all the young men gone?
Long time passing.
Where have all the young men gone?
Long time ago.
Where have all the young men gone?
They're all in uniform.
Oh, when will you ever learn?
Oh, when will you ever learn?
Where have all the soldiers gone?
Long time passing.
Where have all the soldiers gone?
Long time ago.
Where have all the soldiers gone?
They've gone to graveyards, every one.
Oh, when will they ever learn?
Oh, when will they ever learn?
Where have all the graveyards gone?
Long time passing.
Where have all the graveyards gone?
Long time ago.
Where have all the graveyards gone?
They're covered with flowers, every one.
Oh, when will they ever learn?
Oh, when will they ever learn?
Where have all the flowers gone?
Long time passing.
Where have all the flowers gone?
Long time ago.
Where have all the flowers gone?
Young girls picked them, every one.
Oh, when will they ever learn?
Oh, when will they ever learn?

And now, for Bob and you only:

Sag mir, wo die Blumen sind,
wo sind sie geblieben?
Sag mir, wo die Blumen sind,
was ist geschehn?
Sag mir, wo die Blumen sind,
Mädchen pflückten sie geschwind.
Wann wird man je verstehn,
wann wird man je verstehn? Sag mir, wo die Mädchen sind,
wo sind sie geblieben?
Sag mir, wo die Mädchen sind,
was ist geschehn?
Sag mir, wo die Mädchen sind,
Männer nahmen sie geschwind.
Wann wird man je verstehn,
wann wird man je verstehn?
Sag mir, wo die Männer sind,
wo sind sie geblieben?
Sag mir, wo die Männer sind,
was ist geschehn?
Sag mir, wo die Männer sind,
zogen fort, der Krieg beginnt.
Wann wird man je verstehn,
wann wird man je verstehn?
Sag, wo die Soldaten sind,
wo sind sie geblieben?
Sag, wo die Soldaten sind,
was ist geschehn?
Sag, wo die Soldaten sind,
über Gräbern weht der Wind.
Wann wird man je verstehn,
wann wird man je verstehn?
Sag mir, wo die Gräber sind,
wo sind sie geblieben?
Sag mir, wo die Gräber sind,
was ist geschehn?
Sag mir, wo die Gräber sind,
Blumen wehn im Sommerwind.
Wann wird man je verstehn,
wann wird man je verstehn?
Sag mir, wo die Blumen sind,
wo sind sie geblieben?
Sag mir, wo die Blumen sind,
was ist geschehn?
Sag mir, wo die Blumen sind,
Mädchen pflückten sie geschwind.
Wann wird man je verstehn,
wann wird man je verstehn?

BusterStronghart@Gmail.com

There are warnings that good art is
Always universal.

It takes an effort to tear away
From the personal.

To rise above self-absorption
Seeking some other inspiration.

The muse seems always hidden,
and fleeting words are quickly forgotten.

And always,
 There is too much self in my writing..


mek Oct 19,2010

BusterStronghart@Gmail.com

Max, Mike, Maria, Aaron

BusterStronghart@Gmail.com

Respite - respite and nepenthe from thy memories of Lenore;/ Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"/Quoth the Raven "Nevermore."
-- Edgar Allen Poe, The Raven

For a man in whom love had always inspired delay, that nepenthe could not inspire decision.
-- Umberto Eco, William Weaver, The Island of the Day Before

[ni-pen-thee]

–noun

1.

a drug or drink, or the plant yielding it, mentioned by ancient writers as having the power to bring forgetfulness of sorrow or trouble.

2.

anything inducing a pleasurable sensation of forgetfulness, esp. of sorrow or trouble.

Origin:
1590–1600;  < L nēpenthes  < Gk nēpenthés  herb for soothing, n. use of neut. of nēpenthḗs  sorrowless, equiv. to nē-  not + pénth ( os ) sorrow + -ēs  adj. suffix

—Related forms

ne·pen·the·an, adjective

BusterStronghart@Gmail.com

Absolutely too good to be true--but it is:

Duke Edward Kennedy Ellington's  first piano teacher was a woman named Marietta Clinkscales.

BusterStronghart@Gmail.com

Forgetting

A clock keeps striking

And the echoes move in files

Their faces have been lost

Flowers of salt

Tongues from lost languages

Doorways closed with pieces of night.

W.S. Merwin

(For Bob, Peter, Danny, Richie) 

You left just as the stars were beginning to go

You left as the colors, sand and rocks

And the shades of late summer.

W.S.Merwin

BusterStronghart@Gmail.com

Thinking about death again. It's ultimate reality. Whereas in the past I have always felt a bewilderment about it, recently I have read the phrase "numbing authority." Now I feel more comfortable with the thought Death speaks to me with a "numbing authority."  What I had described as "a bewilderment" was actually a numbness. Like the proverbial deer frozen in the headlights.

Others  say, 'well,get on with it."   I'm stuck.

BusterStronghart@Gmail.com

Faces In The Street



They lie, the men who tell us in a loud decisive tone

That want is here a stranger, and that misery's unknown;

For where the nearest suburb and the city proper meet

My window-sill is level with the faces in the street --

Drifting past, drifting past,

To the beat of weary feet --

While I sorrow for the owners of those faces in the street.



And cause I have to sorrow, in a land so young and fair,

To see upon those faces stamped the marks of Want and Care;

I look in vain for traces of the fresh and fair and sweet

In sallow, sunken faces that are drifting through the street --

Drifting on, drifting on,

To the scrape of restless feet;

I can sorrow for the owners of the faces in the street.



In hours before the dawning dims the starlight in the sky

The wan and weary faces first begin to trickle by,

Increasing as the moments hurry on with morning feet,

Till like a pallid river flow the faces in the street --

Flowing in, flowing in,

To the beat of hurried feet --

Ah! I sorrow for the owners of those faces in the street.



The human river dwindles when 'tis past the hour of eight,

Its waves go flowing faster in the fear of being late;

But slowly drag the moments, whilst beneath the dust and heat

The city grinds the owners of the faces in the street --

Grinding body, grinding soul,

Yielding scarce enough to eat --

Oh! I sorrow for the owners of the faces in the street.



And then the only faces till the sun is sinking down

Are those of outside toilers and the idlers of the town,

Save here and there a face that seems a stranger in the street,

Tells of the city's unemployed upon his weary beat --

Drifting round, drifting round,

To the tread of listless feet --

Ah! My heart aches for the owner of that sad face in the street.



And when the hours on lagging feet have slowly dragged away,

And sickly yellow gaslights rise to mock the going day,

Then flowing past my window like a tide in its retreat,

Again I see the pallid stream of faces in the street --

Ebbing out, ebbing out,

To the drag of tired feet,

While my heart is aching dumbly for the faces in the street.



And now all blurred and smirched with vice the day's sad pages end,

For while the short `large hours' toward the longer `small hours' trend,

With smiles that mock the wearer, and with words that half entreat,

Delilah pleads for custom at the corner of the street --

Sinking down, sinking down,

Battered wreck by tempests beat --

A dreadful, thankless trade is hers, that Woman of the Street.



But, ah! to dreader things than these our fair young city comes,

For in its heart are growing thick the filthy dens and slums,

Where human forms shall rot away in sties for swine unmeet,

And ghostly faces shall be seen unfit for any street --

Rotting out, rotting out,

For the lack of air and meat --

In dens of vice and horror that are hidden from the street.



I wonder would the apathy of wealthy men endure

Were all their windows level with the faces of the Poor?

Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,

When God demands a reason for the sorrows of the street,

The wrong things and the bad things

And the sad things that we meet

In the filthy lane and alley, and the cruel, heartless street.



I left the dreadful corner where the steps are never still,

And sought another window overlooking gorge and hill;

But when the night came dreary with the driving rain and sleet,

They haunted me -- the shadows of those faces in the street,

Flitting by, flitting by,

Flitting by with noiseless feet,

And with cheeks but little paler than the real ones in the street.



Once I cried: `Oh, God Almighty! if Thy might doth still endure,

Now show me in a vision for the wrongs of Earth a cure.'

And, lo! with shops all shuttered I beheld a city's street,

And in the warning distance heard the tramp of many feet,

Coming near, coming near,

To a drum's dull distant beat,

And soon I saw the army that was marching down the street.



Then, like a swollen river that has broken bank and wall,

The human flood came pouring with the red flags over all,

And kindled eyes all blazing bright with revolution's heat,

And flashing swords reflecting rigid faces in the street.

Pouring on, pouring on,

To a drum's loud threatening beat,

And the war-hymns and the cheering of the people in the street.



And so it must be while the world goes rolling round its course,

The warning pen shall write in vain, the warning voice grow hoarse,

But not until a city feels Red Revolution's feet

Shall its sad people miss awhile the terrors of the street --

The dreadful everlasting strife

For scarcely clothes and meat

In that pent track of living death -- the city's cruel street.



Henry Lawson

BusterStronghart@Gmail.com

Time, time please pause in flight,

Make me a boy -- just for tonight.

BusterStronghart@Gmail.com

BusterStronghart@Gmail.com

From"How We Decide."

"When the mind is denied the emotional sting of losing it never figures out how to win. "

"Intelligent Intuition is the result of Deliberate Practice."

"Proverbs are short sentences drawn from long experience."Cervantes.

"Negative Feedback is the best kind."

"An Expert is a person who has made all the mistakes that can be made in a narrow field." Neils Bohr

"Mistakes must be cultivated and carefully investigated.

"Self-criticism is the key to self-improvement."

"The most crucial ingredient of a successful education is the ability, desire, willingness to learn from mistakes."

The Work Ethic:  Instead of telling kids "you must be really smart," tell them, "You must have worked really hard." This reinforces the work ethic.

BusterStronghart@Gmail.com

The Relevant Quote:

"And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

If Charlie Parker Was a Gunslinger,There'd Be a Whole Lot of Dead Copycats: Norman Rockwell Saved from Drowning #3

If Charlie Parker Was a Gunslinger,There'd Be a Whole Lot of Dead Copycats: Norman Rockwell Saved from Drowning #3: "Cousin Reginald Spells Peloponnesus (1918)"

BusterStronghart@Gmail.com

BusterStronghart@Gmail.com

From Kirshnamurti: 

If you are really serious, to find out the implications of death, then you have to come into contact with that fact of death, actually come into contact with it - not theoretically, not as something which you have got to face, therefore let's face it, but rather by coming directly into contact with it, by dying. Dying - I mean by that word, coming to the end of all the things that you have known psychologically, your experiences, your pleasures, to die - every day. Otherwise, you will never know what death is; for it is only in the dying that there is something new, not in continuing the old. Most of us are so weighed down by the known, by the yesterday, by the memories, by the `me', the `self', which is but a bundle of memories accumulated yesterday, having no actual existence in itself. Die to those memories; actually die to a pleasure without any argument. If you know what it means to die to a pleasure, to something that you have taken great pleasure in - without argument, without postponement, without any sense of resentment, bitterness - that is what is going to happen when you do die. And to die every day, to everything that you have gathered psychologically, is to be totally reborn. If you do not die in that way, then you have the continual problem of this memory that you have accumulated as the `me' and the self-centred activity that we indulge in - the thought of `my' house, `my' family, `my' book, `my' fame, `my' loneliness - you know, that little entity that moves around incessantly within itself, with its own limited pattern of existence. Will that continue? - you understand? - that is the problem we have. Either one knows how to die every day, and dying actually, the mind is fresh, instant, eager, tremendously alive, or, there is this bundle of memories, of self-centred activity, with all its thoughts, searching for fulfilment, wanting to be somebody, imitating, copying. That whole network of thought - will that continue? - yet that is what we want to continue. We say, at the least, if I haven't fulfilled in this life, perhaps I will in the next. - J. Krishnamurti Talks in Europe 1967

BusterStronghart@Gmail.com

Behind every silver lining hides a cloud.

mek