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Faces In The Street



They lie, the men who tell us in a loud decisive tone

That want is here a stranger, and that misery's unknown;

For where the nearest suburb and the city proper meet

My window-sill is level with the faces in the street --

Drifting past, drifting past,

To the beat of weary feet --

While I sorrow for the owners of those faces in the street.



And cause I have to sorrow, in a land so young and fair,

To see upon those faces stamped the marks of Want and Care;

I look in vain for traces of the fresh and fair and sweet

In sallow, sunken faces that are drifting through the street --

Drifting on, drifting on,

To the scrape of restless feet;

I can sorrow for the owners of the faces in the street.



In hours before the dawning dims the starlight in the sky

The wan and weary faces first begin to trickle by,

Increasing as the moments hurry on with morning feet,

Till like a pallid river flow the faces in the street --

Flowing in, flowing in,

To the beat of hurried feet --

Ah! I sorrow for the owners of those faces in the street.



The human river dwindles when 'tis past the hour of eight,

Its waves go flowing faster in the fear of being late;

But slowly drag the moments, whilst beneath the dust and heat

The city grinds the owners of the faces in the street --

Grinding body, grinding soul,

Yielding scarce enough to eat --

Oh! I sorrow for the owners of the faces in the street.



And then the only faces till the sun is sinking down

Are those of outside toilers and the idlers of the town,

Save here and there a face that seems a stranger in the street,

Tells of the city's unemployed upon his weary beat --

Drifting round, drifting round,

To the tread of listless feet --

Ah! My heart aches for the owner of that sad face in the street.



And when the hours on lagging feet have slowly dragged away,

And sickly yellow gaslights rise to mock the going day,

Then flowing past my window like a tide in its retreat,

Again I see the pallid stream of faces in the street --

Ebbing out, ebbing out,

To the drag of tired feet,

While my heart is aching dumbly for the faces in the street.



And now all blurred and smirched with vice the day's sad pages end,

For while the short `large hours' toward the longer `small hours' trend,

With smiles that mock the wearer, and with words that half entreat,

Delilah pleads for custom at the corner of the street --

Sinking down, sinking down,

Battered wreck by tempests beat --

A dreadful, thankless trade is hers, that Woman of the Street.



But, ah! to dreader things than these our fair young city comes,

For in its heart are growing thick the filthy dens and slums,

Where human forms shall rot away in sties for swine unmeet,

And ghostly faces shall be seen unfit for any street --

Rotting out, rotting out,

For the lack of air and meat --

In dens of vice and horror that are hidden from the street.



I wonder would the apathy of wealthy men endure

Were all their windows level with the faces of the Poor?

Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,

When God demands a reason for the sorrows of the street,

The wrong things and the bad things

And the sad things that we meet

In the filthy lane and alley, and the cruel, heartless street.



I left the dreadful corner where the steps are never still,

And sought another window overlooking gorge and hill;

But when the night came dreary with the driving rain and sleet,

They haunted me -- the shadows of those faces in the street,

Flitting by, flitting by,

Flitting by with noiseless feet,

And with cheeks but little paler than the real ones in the street.



Once I cried: `Oh, God Almighty! if Thy might doth still endure,

Now show me in a vision for the wrongs of Earth a cure.'

And, lo! with shops all shuttered I beheld a city's street,

And in the warning distance heard the tramp of many feet,

Coming near, coming near,

To a drum's dull distant beat,

And soon I saw the army that was marching down the street.



Then, like a swollen river that has broken bank and wall,

The human flood came pouring with the red flags over all,

And kindled eyes all blazing bright with revolution's heat,

And flashing swords reflecting rigid faces in the street.

Pouring on, pouring on,

To a drum's loud threatening beat,

And the war-hymns and the cheering of the people in the street.



And so it must be while the world goes rolling round its course,

The warning pen shall write in vain, the warning voice grow hoarse,

But not until a city feels Red Revolution's feet

Shall its sad people miss awhile the terrors of the street --

The dreadful everlasting strife

For scarcely clothes and meat

In that pent track of living death -- the city's cruel street.



Henry Lawson

BusterStronghart@Gmail.com

Time, time please pause in flight,

Make me a boy -- just for tonight.

BusterStronghart@Gmail.com

BusterStronghart@Gmail.com

From"How We Decide."

"When the mind is denied the emotional sting of losing it never figures out how to win. "

"Intelligent Intuition is the result of Deliberate Practice."

"Proverbs are short sentences drawn from long experience."Cervantes.

"Negative Feedback is the best kind."

"An Expert is a person who has made all the mistakes that can be made in a narrow field." Neils Bohr

"Mistakes must be cultivated and carefully investigated.

"Self-criticism is the key to self-improvement."

"The most crucial ingredient of a successful education is the ability, desire, willingness to learn from mistakes."

The Work Ethic:  Instead of telling kids "you must be really smart," tell them, "You must have worked really hard." This reinforces the work ethic.

BusterStronghart@Gmail.com

The Relevant Quote:

"And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

If Charlie Parker Was a Gunslinger,There'd Be a Whole Lot of Dead Copycats: Norman Rockwell Saved from Drowning #3

If Charlie Parker Was a Gunslinger,There'd Be a Whole Lot of Dead Copycats: Norman Rockwell Saved from Drowning #3: "Cousin Reginald Spells Peloponnesus (1918)"

BusterStronghart@Gmail.com

BusterStronghart@Gmail.com

From Kirshnamurti: 

If you are really serious, to find out the implications of death, then you have to come into contact with that fact of death, actually come into contact with it - not theoretically, not as something which you have got to face, therefore let's face it, but rather by coming directly into contact with it, by dying. Dying - I mean by that word, coming to the end of all the things that you have known psychologically, your experiences, your pleasures, to die - every day. Otherwise, you will never know what death is; for it is only in the dying that there is something new, not in continuing the old. Most of us are so weighed down by the known, by the yesterday, by the memories, by the `me', the `self', which is but a bundle of memories accumulated yesterday, having no actual existence in itself. Die to those memories; actually die to a pleasure without any argument. If you know what it means to die to a pleasure, to something that you have taken great pleasure in - without argument, without postponement, without any sense of resentment, bitterness - that is what is going to happen when you do die. And to die every day, to everything that you have gathered psychologically, is to be totally reborn. If you do not die in that way, then you have the continual problem of this memory that you have accumulated as the `me' and the self-centred activity that we indulge in - the thought of `my' house, `my' family, `my' book, `my' fame, `my' loneliness - you know, that little entity that moves around incessantly within itself, with its own limited pattern of existence. Will that continue? - you understand? - that is the problem we have. Either one knows how to die every day, and dying actually, the mind is fresh, instant, eager, tremendously alive, or, there is this bundle of memories, of self-centred activity, with all its thoughts, searching for fulfilment, wanting to be somebody, imitating, copying. That whole network of thought - will that continue? - yet that is what we want to continue. We say, at the least, if I haven't fulfilled in this life, perhaps I will in the next. - J. Krishnamurti Talks in Europe 1967

BusterStronghart@Gmail.com

Behind every silver lining hides a cloud.

mek

BusterStronghart@Gmail.com
Do you think this is possible or true?

Consider this, which I find extremely important in understanding life:

A person with multiple personalities, only some of which are diabetic, is only insulin-deficient when in the diabetic personality!

mg

BusterStronghart@Gmail.com

Learn from yesterday, live for today, hope for tomorrow. 

Albert Einstein
1879-1955

Here's something from an old Richard Russell letter: 

It's a slow day in a Texas town.The streets are deserted. The sun is beating down, business is lousy, everyone is in debt.

A man from the East comes into the local hotel, drops a hundred dollar bill on the desk saying that he wants to inspect the rooms upstairs and pick one. 

As soon as the tourist goes upstairs the hotel owner grabs the bill and runs next door to pay his debt to the butcher.

The butcher takes the hundred dollar bill and runs down the street to retire his debt to the pig farmer.

The pig farmer takes the $100 bill and goes to the Feed Supply Store to pay off his debt. 

The  guy at the Feed Supply Store takes the hundred and runs to pay his debt to the local prostitute, who, like everyone else in town, has been having hard times and has had to offer her 'services' on credit.

The hooker rushes to the hotel and pays off her room bill with the proprietor. 

The hotel owner puts the hundred dollar bill on the counter so that the traveler will not suspect anything. 

At that moment the traveler comes down the stairs, picks up the hundred dollar bill, states that the rooms are not satisfactory, pockets the money and leaves town. 

No one produced anything. No one earned anything.

However, the whole town is now out of debt and looks to the future with a lot more optimism. 

Is that how the government is conducting business today?    

BusterStronghart@Gmail.com

Homage to Grandpa for Labor Day

Grandpa's dictums: taught to me while I sat on his knee:

"Repeat after me, Michael:"

"Hate the bosses, love the worker!"

"OK, Grandpa, 'Hate the bosses, love the worker'."

"Now, Michael, I want you to promise me that you'll never cross a picket line."

"I promise, Grandpa -- but what's a picket line?"

To paint over one dead animal may be regarded as a misfortune…

To paint over one dead animal may be regarded as a misfortune…

BusterStronghart@Gmail.com

Today, as if there wasn’t enough sadness in the world, the Guardian gives us more to shake our heads about. Has the dignity of the dead hedgehog fallen foul of efficiency accountants? Apparently, the taking-away-roadkill department didn’t turn up in time, so the road painters painted on according to schedule. Even penguins (who I haven’t mentioned nearly recently enough) go round a static object, rather than over it. A spokesman for Hartlepool borough council said, clearly with a degree of satisfaction and relief: ‘This is obviously an unfortunate incident, but it was the only one reported during the massive project.’ But all may not be what it seems.

In July the BBC reported something similar: slightly better, slightly worse, depending on how you look at it, though, of course, it’s of no concern to the dead creatures involved. Questions avalanche. Does the painting around rather than over show more respect for nature? Or a greater respect for badgers than hedgehogs? Or are these two incidents not a statistically weird coincidence at all? Are both the work of guerilla anti-health-and-safety activists out to shame a world where road painters are not allowed to move roadkill except by special training and licence? The fact that the Guardian report is also in the Mail suggests that this may well be the answer.

But perhaps we are witnessing a new real-world meme: something along the lines of the crop circle artists but with road traffic accidents as their canvas – this does not bode well if taken too far. Or it might tell us that painting long lines (double yellow or single white) over miles of roads is so boring and the quest for fame so great that people have taken to bringing dead hedgehogs and badgers to work with them to liven things up a bit and get the papers round. This, too, if taken further and into other boring areas of life, may not be pleasant.

Jenni Diski London Review of Books

BusterStronghart@Gmail.com

memo

No one chooses his own story.

Black & White for Faces.. B&W looks into the soul, it looks into the eyes, and through the eyes into the soul.

BusterStronghart@Gmail.com

Forgotten Days

You think I forgot
The bed and those yellowed sheets.
The iron bedstead,
The whiskey bottle on the nightstand,
Quiet music from the next room.

Your dress on the floor,
That fragrance of only you,
The sighs of oak leaves
Caressing the window pane.

And your whispers in my ear.
Did I bite, or was it you?

That, at last, I have forgot.

mek

BusterStronghart@Gmail.com

On Growing Old

Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the spindrift flying,
Is soon too lame to march, too cold for loving.
I take the book and gather to the fire,
Turning old yellow leaves; minute by minute
The clock ticks to my heart. A withered wire,
Moves a thin ghost of music in the spinet.
I cannot sail your seas, I cannot wander
Your corn-land, nor your hill-land, nor your valleys
Ever again, nor share the battle yonder
Where the young knight the broken squadron rallies.
Only stay quiet while my mind remembers
The beauty of fire from the beauty of embers.

Beauty, have pity! for the strong have power,
The rich their wealth, the beautiful their grace,
Summer of man its sunlight and its flower.
Spring-time of man, all April in a face.
Only, as in the jostling in the Strand,
Where the mob thrusts, or loiters, or is loud,
The beggar with the saucer in his hand
Asks only a penny from the passing crowd,
So, from this glittering world with all its fashion,
Its fire, and play of men, its stir, its march,
Let me have wisdom, Beauty, wisdom and passion,
Bread to the soul, rain when the summers parch.
Give me but these, and though the darkness close
Even the night will blossom as the rose.

John Masefield

BusterStronghart@Gmail.com

"Calm is all Nature as a Resting Wheel."




Calm is all nature as a resting wheel.
The kine are couched upon the dewy grass;
The horse alone, seen dimly as I pass,
Is cropping audibly his later meal:
Dark is the ground; a slumber seems to steal
O'er vale, and mountain, and the starless sky.

Now, in this blank of things, a harmony,
Home-felt, and home-created, comes to heal
That grief for which the senses still supply
Fresh food; for only then, when memory
Is hushed, am I at rest. My Friends! restrain
Those busy cares that would allay my pain;
Oh! leave me to myself, nor let me feel
The officious touch that makes me droop again.



William Wordsworth

BusterStronghart@Gmail.com

"When I was young, I used to think that money was the most important thing in life. Now that I am old, I know that it is."  

Oscar Wilde

BUT

"A wise man should have money in his head, But not in his heart."

Jonathan Swift. 

from "The Church & the Fiction Writer"

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from "The Church & the Fiction Writer"

What the Catholic fiction writer must realize is that those who question [the faith] are not insane at all, they are not utterly foolish and irrelevant,  they are not utterly foolish and irrelevant, they are for the most part acting according to their lights. What he must get over is that they don't have the complete light.

Flannery O'Conner

BusterStronghart@Gmail.com

Thinking of my Father

Yesterday was a wonderful blue sky day.

I saw pelicans fishing while I swam

In spring sea water, still cool,

The summer warm soon to come. 

Like you, I swam out far

And the beach seemed out of reach

I cried because you are gone,

But all you gave me 

Runs always in my blood.

mek  Aug 5,  2010

BusterStronghart@Gmail.com

Dreams


Here we are all, by day; by night we're hurl'd
By dreams, each one into a several world.

Robert Herrick