Thursday, November 18, 2010

BusterStronghart@Gmail.com



Magic Flute 

Tamino;

"Oh, eternal night, when shalt thou pass?
When shall the light find my eyes."

Chorus:

"Soon, soon, youth..."
____________________________________________________________--
Is this how it is?
Is this how it must be?
   mek

Friday, November 12, 2010

BusterStronghart@Gmail.com

People accept change only when they are faced with necessity, and  recognize necessity only when a crisis is upon them.
- Jean Monnet


BusterStronghart@Gmail.com

After many winters the moss finds the sawdust crushed bark chips and says "old friend,old friend. "

W.S.Merwin

Sunday, November 07, 2010

BusterStronghart@Gmail.com

 
It’s easy to confuse the act of living
With the passing of time.  We
Look back and marvel that something
That occurred forty years ago
Seems so fresh in our minds,
“Like yesterday.”

Time and Life may have been
Magazines,
But Time and Life aren’t the same.

Eternity is constricted by a single life time.
Time is confined to a single life. 

mek


Three years ago I wrote a line and St Eve answered:  

There comes a time when time passing becomes time remaining."

I had no idea what I said. Here's St Eve's first reply.


This is a complicated statement and requires some thought to unravel. The passage of time is a perception that depends upon cause and effect occurrence in the physical world and the apprehension of those causes followed by their associated effects. The batter hits the pitched ball. Then there is the memory of those relations and their order of occurrence. Sight of the ball and sound of the bat hitting the ball this becomes the sensed passage of time. So when the time remaining to our lives becomes the sensed moment of times' passage; it is the last moment-end time. Now some might accuse me of being philosophically narrow and bending the meaning to my own ends but if you think about what time perception is really all about then my conclusion seems unavoidable. If this is not clear I will gladly restate it.
Ss


Gross asked for a restatement. So here's St Eve's second reply or re-statement.


Inherent within the above statement, there is a structure to time. There is past, present and future time.

Time coming is its emergence out of the future to become the present moment. No matter how brief that moment is, it lapses and becomes the next moment. As it passes it becomes past time. Historical time and future time are infinites with present time sandwiched in between. Time passing from future to present to past is the accepted linear configuration in western society.

In the second part of the statement, “time remaining” has to be assumed to be a personal subset of future moments that constitutes the finite period of the person’s life that they have left to live.

So when that packet of future time, the remainder of one’s life’s moments becomes passing time, and entering the past then one's life is over the next instant. When the time remaining to one's life passes it is all over.

To restate the notions related to the perception of time embedded in the above statement is less . This perception is complex and comes from our senses which record in memory happenings sequentially with antecedent and subsequent events. They may be cause and effect but as Katz has pointed out may just be sequential.

The order of occurrence and their recording on RNA and reading that order may be how we know that events are past time and we are able to place them in their temporal order by their physical placement in the RNA molecule.

There are many exceptions to time perception which are intriguing.
Time passing fast, passing slowly: time standing still, athletes in “the zone “with altered time perception and increased performance abilities.

When my understanding improves with research I will pass it on.
ss





Wednesday, October 20, 2010

BusterStronghart@Gmail.com



Subject: Bob Hood -- PeteSeeger-- Camp Woodlands -- Phoenicia


Something reminded me of Bob Hood and Camp Woodland, in Phoenicia, where he was a counselor and was pointed in the right direction, I mean the left direction, early in the fifties.  (Many 1199 people sent their children to Woodlands, and Bob met Jo Davis, Leon's daughter there.)

Obviously, some one, or Bob himself, was already pointed left, otherwise he would not have found his way to Phoenicia, and one of the questions that I never asked him was how he wandered over to the left. He did tell me that his parents were non-political; and that there was a rupture in their relationship, in retrospect I  imagine that it might have been because of his homosexuality.   Perhaps it was his sexuality that made him open to 'different' thought; or maybe it was a teacher who had not been been prized out of the school system by the McCarthyites in Louisville. Who knows? 

 Anyway, having met Pete Seeger at Woodland, he brought  Seeger to Ohio Wesleyan, and I think that Seeger performed at an official OWU venue; but some of my friends remember that he (Seeger) was barred from the campus, and that instead he performed at an inter-racial Fraternity (Beta Sigma Tau) that Bob presided over. Maybe both. I don't recall  Seeger being barred. (And Bob had a lot of clout with the OWU administration, so it's hard to believe that he was barred.)

Bob was mentored by, and, in a sense,  sponsored by the President of Ohio Wesleyan, Republican Arthur Flemming, who had been or became  a Cabinet Officer under Eisenhower. ( I went out with Flemming's daughter, Susan, a few times but she quickly figured me out and I was dropped.) After he was graduated, Bob received a Rhodes Scholarship, and studied at Oxford where he received his D.Phil. He lived with Karl Barth in Switzerland for about a year, and, Bob was, as you probably know, a liberation theologian.

Later he taught in Germany for several years, and once brought a gaggle of German school boys to Brooklyn, so that they could see that even in America there were poor people. There were about 30 blond, blue-eyed school-children dressed  in shorts, knee socks, and  short-sleeved white shirts,  each wearing a  neckerchief of Black-Red-and Gold, the colors of the West-German Flag, and Bob, the baritoned, extremely black giant, wore lederhosen.  He brought them to Katz Drug Store in Puerto Rican  Williamsburg and we walked over to the Bushwick Projects, where the children would not believe that this was where the poor people lived because the buildings'  parking lots were filled with a couple hundred cars.

Then Bob decided that we should go to the Hassidic part of Williamsburg, near the Williamsburg Bridge.  Bob was very intelligent, but had no sense of his effect of those around him. I looked at the 30 school boys, chattering in German, wearing their shorts, knee socks, white shirts and  German Flag Neckerchiefs, and Bob in his lederhosen, and decided that it would be better to forego that visit, and instead to treat the boys to paraguas, on Graham Avenue. ----- Cherry was the most popular flavor.

A comment from a friend:



 
Buster:  
you have it partially correct. Actually, if you remember, I was the Social Chairman of OWU, at the time, and it was me who booked Pete Seeger.  The controversey started when the Columbus Dispatch wrote an Op/Ed villifying Arthur Flemming for allowing a "Commie" on campus, and the pressure that the administration received resulted in them cancelling the Seeger appearance. In those days there were no cell phones and as he was scheduled, and paid for, Pete made his way to the campus and I had to inform his agent that he would not be allowed on stage. 
He arrived in Delaware after, Lord knows, how many hours/days on the road and was dead tired and asked where he could rest. We suggested he take a nap at the Beta Sig house, I believe it was Skip Landt's bed, and he did that and then volunteered to just hang out when he woke up. We fed him and we called everyone we could to let them know that we had our own private Pete Seeger concert at the frat house. 
As both Skip and I remember, he entertained us for about 4 hours with songs, stories and of course some lefty philosophies, but at Beta Sig he was "preaching to the choir".
It was a nost memorable evening and one I share with people who are familiar with Pete Seeger.
Lew






Where have all the flowers gone?
Long time passing.
Where have all the flowers gone?
Long time ago.
Where have all the flowers gone?
The girls have picked them ev'ry one.
Oh, when will you ever learn?
Oh, when will you ever learn?
Where have all the young girls gone?
Long time passing.
Where have all the young girls gone?
Long time ago.
Where have all the young girls gone?
They've taken husbands, every one.
Oh, when will you ever learn?
Oh, when will you ever learn?

Where have all the young men gone?
Long time passing.
Where have all the young men gone?
Long time ago.
Where have all the young men gone?
They're all in uniform.
Oh, when will you ever learn?
Oh, when will you ever learn?

Where have all the soldiers gone?
Long time passing.
Where have all the soldiers gone?
Long time ago.
Where have all the soldiers gone?
They've gone to graveyards, every one.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the graveyards gone?
Long time passing.
Where have all the graveyards gone?
Long time ago.
Where have all the graveyards gone?
They're covered with flowers, every one.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the flowers gone?
Long time passing.
Where have all the flowers gone?
Long time ago.
Where have all the flowers gone?
Young girls picked them, every one.
Oh, when will they ever learn?
Oh, when will they ever learn?


And now, for Bob and you only:

Sag mir, wo die Blumen sind,
wo sind sie geblieben?
Sag mir, wo die Blumen sind,
was ist geschehn?
Sag mir, wo die Blumen sind,
Mädchen pflückten sie geschwind.
Wann wird man je verstehn,
wann wird man je verstehn?
Sag mir, wo die Mädchen sind,
wo sind sie geblieben?
Sag mir, wo die Mädchen sind,
was ist geschehn?
Sag mir, wo die Mädchen sind,
Männer nahmen sie geschwind.
Wann wird man je verstehn,
wann wird man je verstehn?

Sag mir, wo die Männer sind,
wo sind sie geblieben?
Sag mir, wo die Männer sind,
was ist geschehn?
Sag mir, wo die Männer sind,
zogen fort, der Krieg beginnt.
Wann wird man je verstehn,
wann wird man je verstehn?

Sag, wo die Soldaten sind,
wo sind sie geblieben?
Sag, wo die Soldaten sind,
was ist geschehn?
Sag, wo die Soldaten sind,
über Gräbern weht der Wind.
Wann wird man je verstehn,
wann wird man je verstehn?

Sag mir, wo die Gräber sind,
wo sind sie geblieben?
Sag mir, wo die Gräber sind,
was ist geschehn?
Sag mir, wo die Gräber sind,
Blumen wehn im Sommerwind.
Wann wird man je verstehn,
wann wird man je verstehn?

Sag mir, wo die Blumen sind,
wo sind sie geblieben?
Sag mir, wo die Blumen sind,
was ist geschehn?
Sag mir, wo die Blumen sind,
Mädchen pflückten sie geschwind.
Wann wird man je verstehn,
wann wird man je verstehn?

Tuesday, October 19, 2010




BusterStronghart@Gmail.com

There are warnings that good art is
Always universal.

It takes an effort to tear away
From the personal.

To rise above self-absorption
Seeking some other inspiration.

The muse seems always hidden,
and fleeting words are quickly forgotten.

And always,
 There is too much self in my writing..


mek Oct 19,2010
Posted by Picasa

Sunday, October 17, 2010

Monday, October 11, 2010

BusterStronghart@Gmail.com

Respite - respite and nepenthe from thy memories of Lenore;/ Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"/Quoth the Raven "Nevermore."
-- Edgar Allen Poe, The Raven
For a man in whom love had always inspired delay, that nepenthe could not inspire decision.
-- Umberto Eco, William Weaver, The Island of the Day Before
[ni-pen-thee]
–noun
1.
a drug or drink, or the plant yielding it, mentioned by ancient writers as having the power to bring forgetfulness of sorrow or trouble.
2.
anything inducing a pleasurable sensation of forgetfulness, esp. of sorrow or trouble.
Origin:
1590–1600;  < L nēpenthes  < Gk nēpenthés  herb for soothing, n. use of neut. of nēpenthḗs  sorrowless, equiv. to nē-  not + pénth ( os ) sorrow + -ēs  adj. suffix

ne·pen·the·an, adjective

Saturday, October 09, 2010

BusterStronghart@Gmail.com

Absolutely too good to be true--but it is:

Duke Edward Kennedy Ellington's  first piano teacher was a woman named Marietta Clinkscales.

Friday, October 08, 2010

BusterStronghart@Gmail.com

Forgetting

A clock keeps striking
And the echoes move in files
Their faces have been lost
Flowers of salt
Tongues from lost languages
Doorways closed with pieces of night.

W.S. Merwin

(For Bob, Peter, Danny, Richie) 

You left just as the stars were beginning to go
You left as the colors, sand and rocks
And the shades of late summer.

W.S.Merwin
BusterStronghart@Gmail.com

Thinking about death again. It's ultimate reality. Whereas in the past I have always felt a bewilderment about it, recently I have read the phrase "numbing authority." Now I feel more comfortable with the thought Death speaks to me with a "numbing authority."  What I had described as "a bewilderment" was actually a numbness. Like the proverbial deer frozen in the headlights.

Others  say, 'well,get on with it."   I'm stuck.

Monday, October 04, 2010

BusterStronghart@Gmail.com

Faces In The Street



They lie, the men who tell us in a loud decisive tone

That want is here a stranger, and that misery's unknown;

For where the nearest suburb and the city proper meet

My window-sill is level with the faces in the street --

Drifting past, drifting past,

To the beat of weary feet --

While I sorrow for the owners of those faces in the street.



And cause I have to sorrow, in a land so young and fair,

To see upon those faces stamped the marks of Want and Care;

I look in vain for traces of the fresh and fair and sweet

In sallow, sunken faces that are drifting through the street --

Drifting on, drifting on,

To the scrape of restless feet;

I can sorrow for the owners of the faces in the street.



In hours before the dawning dims the starlight in the sky

The wan and weary faces first begin to trickle by,

Increasing as the moments hurry on with morning feet,

Till like a pallid river flow the faces in the street --

Flowing in, flowing in,

To the beat of hurried feet --

Ah! I sorrow for the owners of those faces in the street.



The human river dwindles when 'tis past the hour of eight,

Its waves go flowing faster in the fear of being late;

But slowly drag the moments, whilst beneath the dust and heat

The city grinds the owners of the faces in the street --

Grinding body, grinding soul,

Yielding scarce enough to eat --

Oh! I sorrow for the owners of the faces in the street.



And then the only faces till the sun is sinking down

Are those of outside toilers and the idlers of the town,

Save here and there a face that seems a stranger in the street,

Tells of the city's unemployed upon his weary beat --

Drifting round, drifting round,

To the tread of listless feet --

Ah! My heart aches for the owner of that sad face in the street.



And when the hours on lagging feet have slowly dragged away,

And sickly yellow gaslights rise to mock the going day,

Then flowing past my window like a tide in its retreat,

Again I see the pallid stream of faces in the street --

Ebbing out, ebbing out,

To the drag of tired feet,

While my heart is aching dumbly for the faces in the street.



And now all blurred and smirched with vice the day's sad pages end,

For while the short `large hours' toward the longer `small hours' trend,

With smiles that mock the wearer, and with words that half entreat,

Delilah pleads for custom at the corner of the street --

Sinking down, sinking down,

Battered wreck by tempests beat --

A dreadful, thankless trade is hers, that Woman of the Street.



But, ah! to dreader things than these our fair young city comes,

For in its heart are growing thick the filthy dens and slums,

Where human forms shall rot away in sties for swine unmeet,

And ghostly faces shall be seen unfit for any street --

Rotting out, rotting out,

For the lack of air and meat --

In dens of vice and horror that are hidden from the street.



I wonder would the apathy of wealthy men endure

Were all their windows level with the faces of the Poor?

Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,

When God demands a reason for the sorrows of the street,

The wrong things and the bad things

And the sad things that we meet

In the filthy lane and alley, and the cruel, heartless street.



I left the dreadful corner where the steps are never still,

And sought another window overlooking gorge and hill;

But when the night came dreary with the driving rain and sleet,

They haunted me -- the shadows of those faces in the street,

Flitting by, flitting by,

Flitting by with noiseless feet,

And with cheeks but little paler than the real ones in the street.



Once I cried: `Oh, God Almighty! if Thy might doth still endure,

Now show me in a vision for the wrongs of Earth a cure.'

And, lo! with shops all shuttered I beheld a city's street,

And in the warning distance heard the tramp of many feet,

Coming near, coming near,

To a drum's dull distant beat,

And soon I saw the army that was marching down the street.



Then, like a swollen river that has broken bank and wall,

The human flood came pouring with the red flags over all,

And kindled eyes all blazing bright with revolution's heat,

And flashing swords reflecting rigid faces in the street.

Pouring on, pouring on,

To a drum's loud threatening beat,

And the war-hymns and the cheering of the people in the street.



And so it must be while the world goes rolling round its course,

The warning pen shall write in vain, the warning voice grow hoarse,

But not until a city feels Red Revolution's feet

Shall its sad people miss awhile the terrors of the street --

The dreadful everlasting strife

For scarcely clothes and meat

In that pent track of living death -- the city's cruel street.



Henry Lawson

Friday, October 01, 2010

BusterStronghart@Gmail.com

Time, time please pause in flight,
Make me a boy -- just for tonight.

Tuesday, September 21, 2010

BusterStronghart@Gmail.com

From"How We Decide."

"When the mind is denied the emotional sting of losing it never figures out how to win. "

"Intelligent Intuition is the result of Deliberate Practice."

"Proverbs are short sentences drawn from long experience."Cervantes.

"Negative Feedback is the best kind."

"An Expert is a person who has made all the mistakes that can be made in a narrow field." Neils Bohr

"Mistakes must be cultivated and carefully investigated.

"Self-criticism is the key to self-improvement."

"The most crucial ingredient of a successful education is the ability, desire, willingness to learn from mistakes."

The Work Ethic:  Instead of telling kids "you must be really smart," tell them, "You must have worked really hard." This reinforces the work ethic.
BusterStronghart@Gmail.com

The Relevant Quote:

"And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Sunday, September 19, 2010

If Charlie Parker Was a Gunslinger,There'd Be a Whole Lot of Dead Copycats: Norman Rockwell Saved from Drowning #3

If Charlie Parker Was a Gunslinger,There'd Be a Whole Lot of Dead Copycats: Norman Rockwell Saved from Drowning #3: "Cousin Reginald Spells Peloponnesus (1918)"

BusterStronghart@Gmail.com
BusterStronghart@Gmail.com

From Kirshnamurti: 

If you are really serious, to find out the implications of death, then you have to come into contact with that fact of death, actually come into contact with it - not theoretically, not as something which you have got to face, therefore let's face it, but rather by coming directly into contact with it, by dying. Dying - I mean by that word, coming to the end of all the things that you have known psychologically, your experiences, your pleasures, to die - every day. Otherwise, you will never know what death is; for it is only in the dying that there is something new, not in continuing the old. Most of us are so weighed down by the known, by the yesterday, by the memories, by the `me', the `self', which is but a bundle of memories accumulated yesterday, having no actual existence in itself. Die to those memories; actually die to a pleasure without any argument. If you know what it means to die to a pleasure, to something that you have taken great pleasure in - without argument, without postponement, without any sense of resentment, bitterness - that is what is going to happen when you do die. And to die every day, to everything that you have gathered psychologically, is to be totally reborn. If you do not die in that way, then you have the continual problem of this memory that you have accumulated as the `me' and the self-centred activity that we indulge in - the thought of `my' house, `my' family, `my' book, `my' fame, `my' loneliness - you know, that little entity that moves around incessantly within itself, with its own limited pattern of existence. Will that continue? - you understand? - that is the problem we have. Either one knows how to die every day, and dying actually, the mind is fresh, instant, eager, tremendously alive, or, there is this bundle of memories, of self-centred activity, with all its thoughts, searching for fulfilment, wanting to be somebody, imitating, copying. That whole network of thought - will that continue? - yet that is what we want to continue. We say, at the least, if I haven't fulfilled in this life, perhaps I will in the next. - J. Krishnamurti Talks in Europe 1967

Wednesday, September 15, 2010

BusterStronghart@Gmail.com

Behind every silver lining hides a cloud.

mek

Monday, September 06, 2010

BusterStronghart@Gmail.com
Do you think this is possible or true?

Consider this, which I find extremely important in understanding life:

A person with multiple personalities, only some of which are diabetic, is only insulin-deficient when in the diabetic personality!

mg