BusterStronghart@Gmail.com

You will understand then why I don't like the crowd. It frightens me. I am always looking for the individual within it, the glance, someone with whom one exchanges a little of one's soul.

I like people for their weaknesses and their faults. I get on well with ordinary people. We talk. We start with the weather and little by little we get to the important things. When I photograph them it is not as though I am examining them with a magnifying glass, like a cold and scientific observer. It's brotherly. And it's better, isn't it, to shed some light on those people who are never in the limelight?

You've got to struggle against the pollution of intelligence in order to become an animal with very sharp instincts--a sort of intuitive medium--so that the photographer becomes a magical act and slowly more suggestive images begin to appear behind the visible image, for which the photographer cannot be responsible.

Brassi, French-Hungarian Photographer

BusterStronghart@Gmail.com

It doesn't matter where I look there's always something going on. All I need to do is wait, and look for long enough until the curtain begins to go up. Each time the same pompous formula trots through my head. Paris is a theater where you buy your sea by wasting time. And I'm still waiting.

R. Doisneau, Parisian Photographer